Why African Literature ?

Over the past couple of years, I have spent a big chunk of my reading-life, reading and even sometimes re-reading books authored by Africans. This has got nothing to do with me being over-patriotic or too nepotistic but rather in a nutshell as a means of self-rediscovery, or in other words rediscovering my African-ness. I have gotten much enthralled along the line and the relish with which I jump unto my next book or at an opportunity to buy quality African books at a bargain price has grown fervently if not dramatically with time. The question on why African literature is important, is one that has lingered in my labyrinth of mind for quite sometime and I find this medium offered by afrikult requisite to word my thoughts on this very topic.

A couple of months ago, I chanced upon at my local library “The African Trilogy”, a compilation of three novels written by the late Chinua Achebe, namely Things Fall Apart, No Longer At Ease and Arrow of God. I once again jumped at this opportunity and borrowed the book, even though I had already read all the three novels, separately on different occasions. One would ask why would I decide to read novels I’ve already read. The introduction of this trilogy by Chimamanda Ngozi Adichie somehow answers this question. In her introduction, she clearly re-emphasizes on the legacy of Mr. Achebe’s writings, the opportunities and the priceless inspiration he has inadvertently given to writers like herself. She further reiterates that “the strangeness of seeing oneself distorted in literature – and indeed of not seeing oneself at all was part of my childhood. My early writing mimicked the books I was reading: all my characters were white and all my stories were set in England. Then I read Things Fall Apart. It was glorious of discovery. I did not know in a concrete way until then that people like me could exist in literature. Here was a book unapologetically African.” African literature arguably is a journey to self rediscovery and the mannerism, diction and sometimes proverb-filled nuances are a spectacle to behold and this relay how exhilarating African literature is and sometimes the only option left is to read the story again.

Literature is a very indelible compartment of a community’s culture. It plays a huge and formidable role in the way of life of a particular group of people and that is exactly what African literature does. It holds the fibre of the society together. The themes of African literature mimic in every sense of the word the true Africa, they may differ from country to country or from sub-region to sub-region but the stories’ african-ness is always noticeable. African literature brings into light, the daily life experiences of the average African, from various angles and through different nuances which can be as blunt as it can be. These stories can be either real or fictitious and each of the aforementioned has its own sparkle it brings to the whole piece. African literature therefore portrays through the eyes of a native to the outside world what the real Africa is all about, our dreams and innovations, our successes and challenges.

More over, African literature serves as a means of education and entertainment. A new word has even been carved “edutainment” and that says it all. African literature began since time immemorial, from our ancestors telling folk tales every night, while children sat around log fire to get the elephant share of the story till today where every potential idea is being properly documented. It educates us on various aspects of our heritage and the state of affairs of our continent, pointing out categorically to the everyday issues. The imaginations and nostalgia birthed after reading these stories are simply priceless and our creative impetus are being further enhanced.

As culture is integral to the existence of a particular group of people, so is African literature very indelible to all and sundry. The best we can do as a people is to continue to patronize African literature and this will obviously help both the established writers and the up-and-coming writers not to give up on their trade. With all that said, I cogitate also that we make good use of the available materials and platforms that we are very much privileged to have in this generation.

To end this piece, here’s just a line from NoViolet Bulawayo‘s debut novel We Need New Names, “he doesn’t tell Aunt Fostalina she looks good, like I’ve heard other people do; he tells her she looks like sunrise” and that’s the kind of spark African literature brings to the conversation. African literature will forever be as important as ever.

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MY WRITE-UP ON CHIMAMANDA NGOZI ADICHIE’S BOOK ‘AMERICANAH’.

 ‘If something bigger than the farm is dug up, the barn is indeed sold’- as does this Igbo proverb reiterate. I have off-late been sparked up and revitalized on reading more books by African  writers. Upon the positive inroads by African writers across the length and breadth of the globe, I find it just logic and reasonable that I read more books by them. Over the years, we’ve witnessed the exploits by Nigerian writers on the international arena and even with the passage of time have increased in numbers. Mentioning of names would not be of much significance. I believe that Nigeria is arguably the main powerhouse of sub-Sahara African literature. As a fellow writer who is always ready to evince myself up to both the old and contemporary forms of literature, I am somewhat driven to fortify my labyrinth of memory and as said by the Nobel Laureate the late Nadine Gordimer, in order to write, you must read. I began Americanah by reading the blurb which gave me a fleeting idea of what the book fully entails. I got enthused with the theme and plot of the story. I knew certainly that the book would live up to its billing. I relished how the writer interplays the various settings of the story which span through three continents.

That makes it very breathtaking and as someone who is fairly abreast of the lives of Africans around the diaspora, I read the story through a crystal retina. In certain instances, the manner in which the writer relays the mood of the various characters makes it humourous and very much event-filled. The specimen of hope in the eyes of the characters makes it worth-while. The writer brings also into play the recent-past history of Nigeria’s ex-military government. It is just like supporting the figures with facts, and as in this case with occurrences.

In an instance, she reasserts that race is embroidered in the fabric of history and I cogitate that it seems to be sarcastically carpeted to the sustainability of man. The theme of the story portrays that of despair and rediscovery of the African self. The diction of the writer in my view appeals more to African readers than to non-African readers. Being an African, it truly gave me a vivid picture of the life of the African in a far-away land. I know with no shadow of doubt that the story is perhaps an eye-opener, that is, in a positive sense to non-African readers. But be that it may, the reader is certain to be thrilled by the theme, mannerism and the camaraderie of the various characters, of which that of the persona is no understatement to the story in its entirety. I thoroughly enjoyed each and every chapter of the book ‘Americanah’ and I would recommend it to both young and seasoned readers.

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